Meanwhile, the lovely proto-Baroness of our Barony asked me to be a Lady in Waiting for her. Its a cool gig for a person I like, and as Khalid is a little older than before, I'm willing to serve her. Thankfully, she understood my concerns though and as such I'm a
I love love love LOVE this job, and since it seems I'm becoming more of a scribal apprentice than a garb apprentice it will actually be a perfect vehicle to continue to improve my craft.
ANYWHO...
The pattern is my sottana, the green cord will be the zimarra, and the velvets and trim are going to be layered and pearled. |
My plans thusly changed. We were not specifically asked, but still dressing late period to match would help with someones investiture dream and I'm willing to help that out.
I think its going to be bias tape of chocolate velvet, then the fawn velveteen, then the trim. All pearled :D |
Originally I was going to make a new sottana and Veste, but changed my mind and am going for a sottana and a zimarra. I have my fabrics already and pulled them out of my stash.
And in very Superwhy fashion (ask my kids) what do we do when we need an answer? We look in a book!! Out comes Moda a Firenze and I start tabbing pages.
Florentine School, Eleonora of Toledo, Bronzino |
The green one, during fitting |
I started pouring thru the book and found MORE than enough pictures. I also got out all the sources I've had on this subject for a while. While a fitted veste is something I've wanted for a while, a looser zimarra will be easier in the short turn around I have to make this outfit.
I do have a couple of things I want to change/add of course.. because its like.. Mine.
Janet Arnold Pg. 111 Patterns of Fashion 1560 - 1620 |
- Short capped sleeves - sleeves, according to my book are as wide and varied as any other dress/coat in this time period. The ones I really really want are shown the best from Patterns of Fashion.
- High collar - I want a high collar.. I think they are lovely and it means YES I will have to make a new partlet (see first partlet that actually fits and works) but I think its a nice touch.. There are actually lots of examples of the high collar, and on the looser fitting zimarra as well, not just vestes.
Alessandro Allori, Eleonora of Toledo,
c 1572 Florence
Probably the most famous one is the portrait of Eleonora of Toledo by Allori. Seriously, you probably don't do late period Italian and not know this painting.
Lucrezia di Cosimo de' Medici (detail): Bronzino (Agnolo di Cosimo), c. 1555-1565 (Galleria degli Uffizi, Florence) |
- More fitted thru the waist. There is one example of it being more fitted thru the waist. Not as much as a veste of course but it does have an obvious waistline which I like. The trim placement is fun as well. Though I'm starting to think its more goldwork and less trim. I'm crazy, but not *that* crazy.
Granted its Giovanna of Austria but its still a good example of the tailoring I want and the sleeves are awesome, allbeit a little small.
So I have a lot of art to look at. I have fabric. I even have a working pattern for both sottana and zimarra.
But I sit here an blog.
I think I'm scared.
But I sit here an blog.
I think I'm scared.
Oh well, I only have 6 days to make this happen.
Time to get a move on.
(Btw. the whole point of really blogging this is so I can *hopefully* enter it as a Realm of Venus Showcase. It'll be my first one ever so we'll see how this all goes..